2018–2019 Season and Studio Series
Bug: A Play
by Tracy Letts
October 5, 6, 8 at 7:00pm
October 7 at 2:00pm and 7:00pm
Set in a seedy Oklahoma City motel room, the play centers on the meeting between Agnes, a divorced waitress with a fondness for cocaine and isolation, and Peter, a soft-spoken Gulf War drifter introduced to her by her lesbian friend, R.C. Agnes stays at a hotel in hopes of avoiding her physically abusive ex-husband, Jerry, who was just released from prison. At first, she lets Peter sleep platonically on her floor, but not long after she promotes him to the bed. Matters become more complicated as Jerry eagerly returns to the woman he loves to beat her up, expecting to resume their relationship. On top of that, there’s a hidden bug infestation problem that has both Agnes and Peter dealing with scathing welts and festering sores—which has Peter believing this is the result of experiments conducted on him during his stay at an army hospital. Their fears soon escalate to paranoia, conspiracy theories and twisted psychological motives.
An Empty Plate in the Café du Grand Boeuf
by Michael Hollinger
Marriott Dining Hall
February 14, 15, 16, & 17 at 7:00pm
No menu necessary at the world’s greatest restaurant, the Café du Grand Boeuf in Paris. Why? “Because we have everything,” headwaiter Claude admonishes waiter-in-training Antoine. On this hot July night in 1961, the two join waitress Mimi and chef Gaston in awaiting the imminent arrival of Victor, the Café’s owner and sole patron. But when “Monsieur” returns from the bullfights in Madrid, disheveled and morose, his wish is simple: to die of starvation at his own table. The frantic staff, whose very lives depend on Victor’s appetite, try all means to change his mind, but to no avail. Finally, they make a last-ditch plea: Out of respect for their life’s work, will he let them prepare one final meal—provided they leave it in the kitchen? Instead they will describe it, course by course, over a series of empty platters. Victor reluctantly consents, and the “feast of adjectives and adverbs” begins…A “comic tragedy in seven courses” celebrating the joys of cooking, sex, bullfighting and the collected works of Ernest Hemingway.
by Henrik Ibsen
April 11, 12, 13 at 7:00pm
April 14 at 2:00pm and 7:00pm
Less than forty-eight hours after returning from a luxurious honeymoon, the former Hedda Gabler, now Hedda Tesman, lies dead in the parlor of her new home, the victim of a self-inflicted gunshot to the head. Ibsen’s terse masterpiece unflinchingly leads us to this shocking but inevitable conclusion. At the center of the play is one of the greatest roles in modern drama, the fascinating Hedda Gabler, who finds herself stranded in a seemingly ordinary but dangerously imbalanced domestic system. It includes her husband, the ambitious scholar George Tesman, his doting Aunt Julie and the powerful Judge Brack, who seems intent on playing a very large role in the young couple’s life. Into this mix comes an old schoolmate of Hedda’s, Thea Elvsted, who has courageously abandoned a loveless marriage in favor of the passionate partnership she has found with the troubled Eilert Lovborg, a brilliant thinker who is an academic rival of Tesman’s and who shares an intense secret history with Hedda. Employing methods that virtually defined the modern psychological drama, Ibsen stealthily reveals the bitter conflicts and thwarted longings that lie just below the “civilized” transactions of daily life.